Contemporary realist Tim
Cox (1957-) is a painter
and perfectionist who
explores and documents
experiences of the
modern working cowboy,
capturing the glorious
landscape, majestic
skies, energy, hard work
and romance of life on
America's open range.
Born in Arizona and
raised in Duncan, a
small farming and
ranching community on
the New Mexico border,
Cox vowed at the age of
five he "was gonna be a
cowboy artist" when he
grew up, a goal pursued
with unwavering
determination and a
penchant for absolute
accuracy. "If I don't
know my subject, I don't
paint it...I just cannot
do impressionistic
paintings, although I've
been told by some
successful artists to do
so: 'Loosen up. Forget
the details of ropes and
spurs; use more splash-dash,
make bold strokes!'
Thank you, no."
Although his evident
skill was recognized
early on and he was
encouraged in his
painting, Cox suspected
that most art schools
and colleges would not
support his highly
realistic approach.
Instead, he studied
formal drawing with
William Whitaker at
Brigham Young University
and sought out cowboy
artists he admired who
provided sound advice
and reinforced his
principles regarding
elements of design,
composition and the
importance of light.
Painting
professionally since
1975, Cox works at his
easel at least ten hours
each day, seven days a
week, producing no more
than fourteen meticulous
oil paintings each year,
all of which he has
sold. Living with his
wife Suzie, a former
rodeo champion, and
their two children in
the remote ranching
unity of Eagle Creek,
Arizona since 1978,
where mail comes just
one each week and the
nearest telephone,
electrical pole or
grocery store is an hour
and a half away, Cox is
completely engrossed in
the life he documents on
canvas.
The Cox ranch
includes several quarter
horses, most of which
are bred for cutting,
broken, trained and
sometimes shown by the
artist as his spare-time
passion, a small herd of
cattle and several
Longhorns. The artist
regularly rides roundup
with his neighbors and
knows the imagery and
camaraderie he paints
from long hours in the
saddle. Exactness in his
portrayal of horses and
riders, the cowboy's
individual style, gear
and relationship to each
other makes Cox' work
appreciated by ranchers
and cowboys, earning him
over 60 magazine covers
including Western
Horsemen, The Cattleman
and Quarter Horse
Journal, gallery shows
throughout the West, and
a well-deserved
reputation as 'The
Cowboy's Painter.'